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One of the rare thing that happens when you work as an entertainment journalist for a while, in my case it’s been an 8 year ride, is that you get to talk to an unknown performer before they hit it big. And in the case of both Twiligth stars this was the case.

I had a chance to talk to Kristen Stewart during the Zathura junket back in 2005 and later that same year with Robert Pattinson I did a paired interview with Katie Leung (the first girl to famously kiss Harry Potter) for the Harry Potter and the Goblet of Fire press round up in London. And even though I haven’t been able to interview them since (Thanks Summitt) I have to say the mega success of their film together hasn’t seem to change them one bit.

Photo by David Strict from Hollywood Backlot

“I know that people are really funny about ‘Well, you chose to be an actor, why don’t you just fucking give your whole life away?’ ” This is a quote from Stewart that was published in Entertainment Weekly about a week ago. And she might be right-an average person will go “Jeez-what the hell is your problem? Why are you so uptight?” But fact of the matter is the girl loves to act but has never been comfortable doing press. For the Zathura I had five minutes with her for a TV interview and what I came away is that she was an extremely shy person who gets really defensive when she’s forced to do something she does not like, in this case in particular it would be press. So now that her profile has risen considerably, it makes perfect sense for her to defend her privacy. Still, if she wants to keep her acting career she’s going to have to add some looseness to her bag of tricks and I don’t mean as an interview subject but as an actress. Up until now Stewart has done great handling characters that are often at odds with themselves or uncomfortable in their own skin-which is why she’s perfect for Bella. The only time that she’s displayed a different shade of angst was in the little seen In The Land of Women. For now, it seems like she is stepping up her game by playing Joan Jett in the upcoming Runaways film. There is no way that she can get away playing a rocker like Jett as a stick in the mud introverted musician.

photo by David Strict for Hollywood Backlot

With Pattinson the challenges ahead seem to be completely different, but seems to have something that his co-star lacks: a sense of humor. Back in 2005 he seemed bemused and detached by the Pottermania that swirled around the press coverage. He didn’t say much, but when he did it was sure to be a self-deprecating remark. During our interview he seemed happy to let Leung handle most of the questions but was cordial when one was focused directly on him. Still I could have never had predicted a Heartthrob in the making. And that seems to be the biggest trap his career is facing. With Pattinson Edward’s brooding is definitely an act, but his romantic hero/bad boy status is going to be difficult to shake. Doing alternative roles in indie films that nobody will see will not do the trick. He needs to do commercial films that cast him in a different light. His recently announced role in Bel Ami, where he gets to seduce the likes of Uma Thurman and Kristen Scott Thomas, seems to expand a stereotype that will eventually trap him as an actor.
But for now with two more Twilight films on the way and New Moon racking up 72.7 million in its first 24 hours (besting Dark Knight’s opening day numbers, who cares right?
So what do you think? Do the Twilight Stars have a future after Bella and Edward have their breaking dawn?

Esta es mi reseña de New Moon sin editar que será publicada mañana en El Nuevo Día.

Reseña de New Moon
Por
Juanma Fernández-París

No importa que hayan hombres lobos y vampiros, la esencia de la “Saga de Twilight”, es la historia de un amor imposible entre dos jóvenes. En el primer filme, Bella y Edward tienen que enfrentar su primer obstáculo: que a pesar de sus sentimientos románticos hacia ella, el primer instinto de Edward es querer consumir la sangre de su amada.

En New Moon, la primera secuela de losa novelas de Stephany Meyers, Bella y Edward enfrentan obstáculos aún más complejos: ¿Cómo va a sobrevivir su relación mientras ella siga siendo humana y el inmortal?

Como los protagonistas resuelven esto es la trama central de este filme que a pesar de ser una variación del mismo concepto, el verdadero amor enfrenta muchos obstáculos y los sobrevive todos, resulta ser una oferta cinematográfica superior al primer filme. Esto es resultado del excelente trabajo del elenco y de la nueva energía que trae la dirección de Chris Weitz (The Golden Compass, About a Boy).

En las novelas de Meyers el romance de los protagonistas siempre peca de usar los clichés clásicos de un melodrama, el contexto fantástico es lo que le da su voltaje de energía novedosa. Al igual que en el primer filme las interpretaciones de Kristen Stewart y Robert Pattinson elevan este material dándole peso emocional a situaciones dramáticas que en manos de otros intérpretes serían risibles.

Del elenco secundario, Taylor Lautner logra superar la presencia imponente de sus músculos y abdominales para hacerle justicia al personaje de Jacob, quien al igual que Bella no puede evitar enamorarse de una persona que lo va a hacer sufrir. Y en solo una escena Michael Sheen (Frost/Nixon, The Queen) y Dakota Fanning se roban el show como vampiros de los Volturi, un clan con un régimen nutricional mucho más violento que el de los Cullen.

Además de la calidad de las actuaciones, este filme supera al anterior por el enfoque de la dirección. Twilight parecía estar embriagado en la química de los protagonistas y perdía fuerza en las secuencias de tensión. A pesar de tener retos narrativos más difíciles, considerando que la protagonista del filme esta deprimida por gran parte del filme cuando su vampiro predilecto decide terminar su relación, la dirección de Weitz balancea con efectividad todos los elementos claves de la fórmula de las novelas de Meyers a la misma vez que le da un voltaje de energía a las escenas que hacen buen uso de tener vampiros y hombres lobos como figuras claves de la trama.

A pesar de todas estas cualidades positivas, para poder recomendar este filme el espectador tiene que tener una conexión emocional con los problemas de los protagonistas, algo que pudo haber sucedido con la lectura de las novelas o con haber visto y disfrutado del primer filme. Aquellos que vayan esperando un filme de suspenso atmosférico que genera tensión a través de los códigos de horror que utiliza se encontrarán con un filme que los dejará defraudados. Con colmillos o sin colmillos los problemas de Bella y Edward nunca superan las complicaciones de un dramón de dimensión humana.